Showing posts with label Residencies. Show all posts
Showing posts with label Residencies. Show all posts

Wednesday, 18 July 2012

Canada Council for the Arts - Grants to Theatre Artists: Individual Creation, Artists-in-Residency, Playwriting Residency and Professional Development

The information in this blog post is taken directly from the Canada Council for the Arts Site: www.canadacouncil.ca

Deadlines
15 April and 15 September
If these dates fall on a weekend or statutory holiday, the deadline moves to the next business day.
Please refer to the Program Guidelines for detailed information.


Program Description
The Grants to Theatre Artists program provides support to individual Canadian professional theatre artists of all cultures. There are four components to the program: Individual Creation, Artist-in-Residency, Playwriting Residency, and Professional Development.

These grants allow artists to devote a specific period of time for the individual creation of new work, for terms as artist-in-residence (for administrators, playwrights, designers, directors or other creative artists), for terms of playwriting residencies, and for projects of professional development. Residencies, both for playwriting and artist-in-residencies, are undertaken with theatre companies that receive support from the Theatre Section of the Canada Council for the Arts.

Support for playwrights is available through all four components. A playwright wanting to pursue the independent creation of a new work applies through the Individual Creation component of the program. A playwright wanting to spend time in residency with a company to observe and participate in general theatre practice applies through the Artist-in-Residency component. A playwright wanting to pursue a specific project of individual creation in a working partnership arrangement with a theatre company applies through the Playwriting Residency component. A playwright wanting to pursue a program of advanced training (such as graduate studies in playwriting at universities or theatre schools) applies to the Professional Development component.

In general, submissions for Individual Creation request subsistence for the time needed to create new work, plus research and travel costs (if applicable). Submissions for the Artist-in-Residency and the Playwriting Residency components usually involve subsistence costs for the term of the residency. In addition to subsistence costs for the term of the project, applications to the Professional Development component may include costs for travel, research and tuition related to the program of work.

This program is open to Aboriginal artists and artists of diverse cultural and regional communities of Canada.

Eligibility
To apply to the Canada Council for the Arts, you must be a Canadian citizen or have permanent resident status, as defined by Citizenship and Immigration Canada.

Applicants must be professional theatre artists or arts professionals. The Canada Council defines a professional artist as someone who:
has specialized training in the artistic field (not necessarily in academic institutions)
is recognized as a professional by his or her peers (artists working in the same artistic tradition), and
is committed to devoting more time to his or her artistic activity, if possible financially, and
has a history of public presentation.

Playwrights must have had at least one work produced professionally on stage or published professionally. Other theatre artists must have practised with professional companies or independent professional productions for at least two years.

Scriptwriters who wish to write a stage play must have had at least one dramatic work produced professionally on radio, television or film.

Composers must have written music for at least one professional theatre production.

In order to be eligible as a host company for both the Artist-in-Residency and Playwriting Residency components, a theatre company must receive either Operating Grant support from the Theatre Section of the Canada Council for the Arts or must have received at least one Production Project Grant in the preceding three years.

For Professional Development applications, candidates applying for programs of work that involve graduate studies at a university or advanced training at a theatre school must have practised with professional companies or in independent professional productions for at least five years.

Grant Amount
Grant amounts range from $3,000 to $20,000, in increments of $1,000.

Further Information
Robert Allen, Nancy Guertin, Kim Selody or Bruce Sinclair
Program Officers
Theatre Section
Canada Council for the Arts
350 Albert Street, P.O. Box 1047
Ottawa ON K1P 5V8

Telephone: 1-800-263-5588 (toll-free) or 613 566-4414, ext. 4483 or 4186
TTY: 1-866-585-5559
Fax: 613-566-4410

Friday, 6 July 2012

Call for Submissions (Edmonton): Creation Residency Opportunity – Catalyst Theatre

Catalyst Theatre

CALL FOR SUBMISSIONS
Creation Residency Opportunity
for Edmonton based creators 35 years and under

Submission deadline: 5 p.m. Monday, July 23rd, 2012
Catalyst Theatre invites submissions for a new work creation project in theatre, developed and produced over a two-season cycle, with the first year’s activity in the 2012 / 2013 season, and second year’s activity in the 2013 / 2014 season.

What Catalyst is looking for:
Consistent with our mandate we are looking for exciting performance projects in which all production components are newly created. While we are interested in the work of creative ensembles, projects that are developed under the vision and leadership of one artist are of greatest interest. Year one is intended as a research and development phase. In year two the resident artist will produce and present a new work in our venue.

We wish to invest in the development of a distinctive and exciting creative voice in Edmonton’s theatre community by providing foundational support for a highly motivated artist or creative ensemble, fiercely committed to deepening and refining their practice and aesthetic and prepared to invest in making a significant breakthrough in their craft.

What Catalyst will provide
Year One
Purpose: Research and experimentation

• Four weeks of venue time for the purpose of research and experimentation
• Technical director services for twelve 8-hour days
• Secondary crew services for 32 hours
• $750 dollars for equipment rental or additional crew costs required during the project

Year Two
Purpose: Development, rehearsal and production

• Eight weeks of venue time
• Crew budget of $6,000
• FOH services for public activity

The selected artist(s) should expect:
• To engage with Catalyst Theatre’s core creative and management team in a supportive, consultative relationship
• To bring their own production resources to the residency as required, in addition to what Catalyst provides
• To make a two year commitment to deepening and refining their artistic practice and aesthetic (Year Two dates to be negotiated)
• To provide a showing or demonstration of the research at the end of the first year phase. This may be open to the public, or for an invited audience only.

Who is eligible to apply?

• Individual artists and existing ensembles.
• Principle artists must be Edmonton based and no older than 35 years of age.

Submission deadline:
5 p.m. Monday, July 23rd, 2012

Available dates in 2012-2013:

• November 18 to December 2, 2012
• January 1 to 13, 2013
• February 4 to March 2, 2013
• April 29 to May 18, 2013

Your proposal should indicate which of these weeks you would like to request. You may work in four one-week stages, one four-week stage, or any other combination as long as you are requesting full weeks. No pro-rated weeks.

Submission requirements:
• Name, email, telephone number and CV of creative director/principle applicant
• An overview of the project and your current challenges: we are interested in a statement of what you wish to explore and why, and what disciplines, technologies or influences you imagine drawing on. If you have a specific story or subject that will serve as a launching pad for your work include a synopsis or description
• CV’s or bios for all of the participants in the project and a brief description of the role you envision for each of them in the process
• A requested schedule totaling four weeks out of the available blocks of time provided above
• An activity plan for each of the four weeks in Year One

Electronic submissions only, sent to Eva Cairns, eva@catalysttheatre.ca

If you require further information please contact Eva Cairns, Managing Producer, Catalyst Theatre,eva@catalysttheatre.ca or at (780) 431-1750.

This pilot project is made possible with support from the Edmonton Community Foundation.

Tuesday, 26 June 2012

Call for Applications: Thematic Residencies, Banff Artist in Residence, and Work Study Programs


Faculty: Vincent Normand
Guests: Etienne Chambaud, Dominique Gonzalez-Foerster
Program dates: November 13, 2012 - December 7, 2012
Application deadline: Extended to June 29, 2012

Speaking for real: this isn't a history painting, it's a book of stories. A book being written with stories like the ones you get told when you're getting your head chopped off—before going up there, or coming back from the show. Stories like they tell in museums.

This residency is addressed to participants willing to engage in speculative inquiry on the matter of exhibition, whether they work as artists, curators, or writers. The moment of exhibition will act as a figure towards which converge diverse spaces of authority (the studio, the exhibition space, criticism). The residency will thus be structured in as many points of enunciation, with individual studio and research time, public talks, and collective discussions enhanced by screenings and reading sessions.

Faculty: Duane Linklater
Guest: Brian Jungen
Program dates: January 7, 2013 - February 22, 2013
Application deadline: June 29, 2012

We should meet in the mountains to investigate: What colour is the present?

On a weekly basis, the Wood Land School will convene to share work, performance, poetry, dance, video, mix-tapes, songs, drink, and food to determine what colour is the present. Our determinations will be guided by our languages, where we come from, our city lives, our rural lives (or in between). We will get together to see what becomes of this.

Please note: Enrolment to this program is limited to individuals of Aboriginal descent (status, non-status, Métis or Inuit).

Program dates: January 7, 2013 - February 22, 2013
Application deadline: June 29, 2012
Faculty: Abbey Shaine Dubin
Guests: Theaster Gates, Christopher P. Heuer, Matthew Jesse Jackson

Much of the visual art of the twenty-first century vivifies the formerly neutral, decorative surfaces that have surrounded the discussion, production, and display of artworks: the gallery opening, the white cube, the PowerPoint lecture, the auction house. And over the last decade a renewed sense of art's expressive possibility has flourished as more stuff began to be treated as if it were art. A cloud of evaluative anxiety accompanies this new art. Perhaps we have so much information today that only its deficit can bring about a truly arresting art experience. Or maybe we can put it this way: if the twentieth century was defined by the Readymade, then perhaps the twenty-first century belongs to the Nevermade.

Our Literal Speed is open to all practices, scholarly and artistic, that engage the question, "Why is contemporary art contemporary?"
Banff Artist in Residence (BAIR) Programs
Fall Program dates: September 10, 2012 - October 26, 2012
Application deadline: Ongoing as space permits
Late Fall Program dates: November 13, 2012 - December 14, 2012
Application deadline: June 29, 2012
Banff Artist in Residence programs offer independent periods of study where artists, curators, and other arts professionals are free to experiment and explore. Participants are provided with an individual studio accessible 24 hours a day, as well as use of Visual Arts facilities including printmaking, papermaking, ceramics, sculpture, and photography. BAIR offers short and long-term opportunities to work at a remove from the constraints of everyday life.

Similar to an internship, The Banff Centre offers work study programs in visual arts studio, curatorial practice, preparatorial practice, arts research and curatorial outreach, and arts research and administration. These are hands-on opportunities that allow individuals to work on projects with direct mentorship and support in a multitude of areas focusing on the participants learning objectives. Learning opportunities may be formal sessions and/or workshops or informal opportunities arising out of daily situations. The work portion of the experience will primarily focus on activities that complement the participant's learning objectives as the work relates to the real and ongoing activities of Creative Residencies and Walter Phillips Gallery.

Current opportunities:
Visual Arts Studio Work Study
Visual Arts Curatorial Research Work Study
Visual Arts Aboriginal Administration and Research Work Study
Walter Phillips Gallery Aboriginal Preparatorial Work Study
Walter Phillips Gallery Preparatorial Work Study

This information was received from the AFA Newswire.  You can subscribe and unsubscribe by visiting our online AFA Newswire section.

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Communication Consultant, Arts Branch