Indian Film Festival of Alberta Comes to Fort McMurray

The Indian Film Festival of Alberta is coming to Keyano Theatre and Arts Centre this Saturday! Presented by the Edmonton Movie Club the Indian Film Festival of Alberta started in Edmonton on July 17th, travelled to Calgary on July 24th and now concluding its successful journey in Fort McMurray.

The festival consists of three movies created in India and one film made in Canada. The films are as follows;  

Margarita with a straw

A rebellious young woman with cerebral palsy leaves her home in India to study in New York, unexpectedly falls in love, and embarks on an exhilarating journey of self-discovery. The film made its world premiere at the Toronto International Film Festival in 2014 and was also selected in several other film festivals.

Date(s):  August 22

Time:  12:00pm

Tickets:  $12 or $25 festival pass

Venue:  Keyano Recital Theatre

Rating:  All Ages

Hindi with English Subtitles 100 minutes

Perariyathavar (Names Unknown)

This is the story of a municipal street sweeper and his daily experiences as he moves among the “nameless people” of a big city is a good example of realistic cinema, a staple of the Malayalam industry. The film was screened at several national and international film festivals, and also won the Best Film on Environmental Conservation/Preservation Award at the 61st National Film Awards in India.

Date(s):  August 22

Time:  2:30pm

Tickets:  $12 or $25 festival pass

Venue:  Keyano Recital Theatre

Rating:  All Ages

Malayalam with English subtitles 110 minutes

Court: Marathi 

Billed as a “realistic court drama”, this film examines the Indian legal system through the lens of the trial of a folk singer accused of sedition in a lower court in Mumbai. The film has won the best film award at international film festivals, as well as the best feature film award at the 62nd National Film Awards of India.

Date(s):  August 22

Time:  5:00pm

Tickets:  $12 or $25 festival pass

Venue:  Keyano Recital Theatre

Rating:  All Ages

English Subtitles 120 minutes

Rock Paper Dice Enter 

A 2014 Canadian thriller, directed by Shreela Chakrabartty. It is the first installment of the reported trilogy. It is based on the 2008 manuscript written by Kash Gauni. The film centers on the fictional American city of Strathaven, where security protocols are breached. Multiple timelines within film along with a diamond heist are suspense element of this film. Nominated for The Rosie Award, Best Dramatic Motion Picture of the year.

Date(s):  August 22

Time:  8:00pm

Tickets:  $12 or $25 festival pass

Venue:  Keyano Recital Theatre

Rating:  All Ages

English 91 minutes

For more information or tickets please visit the Keyano Theatre and Arts Centre website or call the Keyano Box Office at (780) 791-4990. 

Big Sky Spirit Nights at Shell Place

Tonight (and Wednesday night) are Big Sky Spirit Nights at Shell Place (8:30 pm – 10:00 pm), a FREE COMMUNITY EVENT presented by Syncrude Canada Ltd.  as part of the Western Canada Summer Games. Do not miss this full evening of entertainment and ceremony celebrating the youthful spirit of the participants and guests of the Games. 

There will be FREE public transportation from WOOSH! on the Route 99 bus from Jubilee Plaza. Anyone who has tickets to sports events or wrist bands can ride WOOSH! for FREE from any location.

The night will feature a special welcome by local dignitaries, music from local artists Adam’s Honour and Mychela, an athlete and volunteer recognition ceremony, an immersive percussive performance by internationally renowned percussion ensemble award winning Scrap Arts Music and a spectacular Pryo-Musical Finale.   

In addition to all of the athletic events, come support the cultural activities around the Games being showcased in Fort McMurray. 

For info about other cultural activities during the Games please visit,

http://2015woodbuffalo.com/experience/cultural-calendar.html

Meet Artist in Resident Reeny Hua

My name is Reeny Hua.  I’m a design student of the Alberta College of Art and Design in Calgary.  I’ll be writing about my schooling, why I applied for this residency, and what kind of work I am producing during my time here

My program at school, Visual Communications Design, is known for its heavy course load and competitiveness -- pulling all-nighters on top of attending 5 mandatory studio classes that are 6 hours long is not uncommon.  We’re expected to pump out a lot of content and meet deadlines and it does a great job of preparing us for work in the industry.  And then there is the hard truth of being a millennial living in this economy is that having a degree doesn’t guarantee a career, but our degree is highly regarded and it does give us a competitive edge when applying for work in design, illustration, and advertising.
   

As a result of this heavy workload, students often don’t have much time to work on personal projects outside of school.  Building a portfolio that includes more personal work was my main motivation in applying for this artist residency.  If I hadn’t been accepted, I would have had to work full-time in an unrelated field and could not have done as I wanted.  I was also drawn to the community engagement aspect of the contract requirements and wanted to see if I could teach.  

To prepare myself for public speaking and my artist talk, I joined the Wood Buffalo Toastmasters club where I grew a little more comfortable with being in front of people.  Not enough to be as articulate and nonchalant as I wanted but enough so that I no longer trembled and blank out.  I think I did pretty well with my artist talk considering that I did hit on some heavy topics.

I’ve enjoyed myself with CardboART at the Art-Themed Urban Market and helping to run the Inside Artist’s Studio workshop with the Arts Council.  I’ve built a comradery with my fellow resident artists that is unique as all of our art forms are very different and all of us have different intentions with our work. 

Ruddy always works at a steady pace and it’s nice to have that energy around when I’m in the studio.  He has very strong ties to his homeland of Namibia and his work shows that preservation.  I love seeing his eyes light up when I ask him about his home.  It’s something he does not seem to tire of and I think his art expresses something he needs to balance the responsibilities of a shift worker supporting his family overseas. 

Ruth lives and breathes the art community here and her selflessness and dedication to the youth is amazing.  I would have loved to immerse myself more in the arts community with her, although it seems fulfilling, I can see how busy her life is. I don’t think I could juggle my own projects plus community art.

Luke is working on his Masters of Fine Arts at the University of Windsor. So I can depend on him to give me an honest and sophisticated critique. No topic seems to be too controversial and uncomfortable to touch upon with him.  He’s almost always in the studio and he shares his food with me sometimes.

As to what I’ve been doing, I’ve been trying to get more in touch with my Khmer-Krom/Cambodian roots to gain a better understanding of what I can do increase awareness for Khmer-Krom indigenous rights abuses in Southern Vietnam. I am also exploring the complexities of my identity as a queer, neuroatypical, 2^nd generation Asian-Canadian. It’s a tough steak to chew and sadly lots of people still have their baby teeth in regards to these topics.

I grew up with my family members struggling as refugees to obtain new money successes and recognition in academia.  I live a “model minority” life and I often feel guilty in bringing up hardships I still have to face simply for being the way I am.  I grew up with expectations to be passive, studious, inoffensive, conservative, and straight.  Mental health issues was hogwash and art is not a career choice.  Some lessons take generations to learn and I’m hoping that the stigmas and stereotypes towards my identity and the identities of so many others will die with me.