What is colour? For artists colour is an expression, a
feeling, a memory, sometimes a taste or even a smell. Colour connects and
expresses the intangible, the indescribable. It makes the everyday seem extraordinary
and the extraordinary feel familiar.
What our brains perceive as colour is the reflection of
wavelengths of light from objects.
In
humans light is received by the eye where two types of photoreceptors, cones and rods, send
signals to the visual cortex which in turn processes those
sensations into a subjective perception of colour. (Wikipedia.org)
Our ability to distinguish different objects and their various colours has to do with colour constancy.
Colour constancy is a process that allows the brain to recognize a familiar object as being a consistent colour regardless of the amount of light reflecting from it at a given moment. (Wikipedia.org)
Our ability to distinguish different objects and their various colours has to do with colour constancy.
Colour constancy is a process that allows the brain to recognize a familiar object as being a consistent colour regardless of the amount of light reflecting from it at a given moment. (Wikipedia.org)
Colour Constancy is why a white jacket still looks
white instead of orange under the setting sun but like with other things the
brain can be fooled. This fooling of the brain is commonly known
as The Land Effect or Retinex Theory, devised by Edwin Land, made famous
for his invention of instant photography and the Polaroid camera.
The Retinex theory
first appeared in 1959, Scientific American magazine. The article claimed that
it was possible to produce a full-colour image with only two component colours
white and red. According to Land, we decide the colour of something by
comparing its ability to reflect short, medium and long wavelengths with that
of adjoining objects. Land considered that the eye and the brain (the retina
and cortex) form a single optical system, which he called the retinex.
In fact this is a demonstration of the Land Effect, since you are looking at a monochrome red image, with a black and white overlay. The only 'real ' colour here is red. However our brains tend to 'see' other colours being present.
This experiment shows that even in reality colour is interpreted
by our minds. It shows that our brains “fill in the picture”. An artist working
in light and colour uses these perceptions like a great illusionist showing us the inner meaning
of objects, connecting them with great ideas, and filling them with insight.
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